Welcome to Smoke Break Musings.

(Viewer discretion advised. May contain material not suited for those inside the box.)

1/19/12

Tension: How to Build it.


I was up by six in the morning yanking clothes on and grabbing my bag before flying out the door. I heaved down the sidewalk through the drizzling rain to a crescendo of monstrous barks as I flew past house after darkened house. As the doggy decrescendo finally played out I started to take a breath as I simultaneously heard a quick inhale directly beside me.
The throaty bark of the monstrous fiend beside me was enough to make me jump several feet off the ground. The fence that separated us acted like a counter for the dog to lay its arms on while it stared at me with it’s menacing little eyes. I rushed on past it but the black skin hot breath lingered in my mind.
When I arrived at my destination there were several other kids waiting around. Each one of them was older and more experienced than me. They all had dark skin, which scared me, and they had a funny way of talking. They grew quiet as I stood watching them. One by one they turned and looked at me as the dead silence started gaining momentum again and the whispers began to circulate. That was exactly why I’d never wanted to ride the bus to school.

1/17/12

Open Form Prose

How is a 60 second podcast like writing open form prose?

I'd say its pretty straight forward; Open-form prose is basically inviting the audience into a conversational setting where you can be yourself, tell a story, and communicate experiential emotion and knowledge. It's about forgetting the "rules to writing" so that you can just relax and let the narrative flow out in a very natural way. Open-form prose can be planned or unplanned, simple or complex, and either grammatically correct or not. In other words it can be anything the writer wants. As an example, the sentence I just wrote could have given off several different vibes. It could have been personal and relaxed; "In other words it can be anything you want," but instead I chose to make it slightly more professional by referring to the writer as impersonal. Changing just one word is enough to change the entire feel and flow of a narrative.

All that being said, the videocast that I did - in place of the required 60 second podcast - Was similar to writing open-form prose because, even though I planned it out, it was a very relaxed and personal message with a Pathos appeal to the listener. By inserting music created by me I was able to delve to an even deeper level of emotional appeal as well as to establish Ethos and to meet the exigency of the audience by providing them with a clear example of the story I was telling them.